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Gus Van Sant’s “Dead Man’s Wire” is the true story of the “Indianapolis Hostage Crisis” that occurred in February of

John Patton Ford’s “How to Make a Killing” begins as many crime comedies do, with an inmate awaiting execution and

Lesley Manville and Ciarán Hinds are so convincing as a married couple in “Midwinter Break” that you’ll swear they left

Some films may be hits, but the very notion of a sequel seems bizarre, or even desperate. At first blush,

Steven Spielberg’s “Close Encounters of the Third Kind: The Special Edition” (1980) marked the first time a “special edition” was

Cameron Crowe’s “Elizabethtown” (2005) is about an idealistic young man dealing with a catastrophic business failure, a lavish bomb that

Did anyone expect Emerald Fennell to deliver a note-for-note version of Emily Brontë’s “Wuthering Heights?” Fennell’s short resume features salacious

They had us at Rome. “Solo Mio,” a charming rom-com set in Italy’s capital, makes the most of the stunning

We didn’t need another variation on Bram Stoker’s “Dracula.” Director Luc Besson disagrees. His take on the vampire classic offers

Jason Statham’s aging action hero shtick is bulletproof. He even looks like a bullet, his bald head aimed at the