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“The Baltimorons” is what indie filmmaking is all about. Or, to be more accurate, what it should be all about.

Richard Linklater’s “Nouvelle Vague” is about the making of Jean-Luc Godard’s French New Wave classic, “Breathless” (1960). Netflix carries both

“The Smashing Machine” gave Dwayne Johnson the chance to prove he’s an actor of consequence. He passed the test, but

Lynn Ramsay’s “Die My Love” is the latest endurance test from the Scottish filmmaker who had me with her stunning

Hollywood remains obsessed with racism, witness DEI-style policies and absurd casting choices. Racism, particularly the toxic kind displayed during the

“A ‘Predator’ movie where the creature is the good guy who teams with a plucky lady robot…” – Don Draper,

We’re still learning about the heroes who stood tall against the Nazi regime. The latest yarn ripped from the history