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Wrier/director James Lucas’ “Moss & Freud” is a portrait of the professional collaboration and friendship between supermodel Kate Moss (Ellie

Writer/director David Roher’s “Tuner” is the very definition of a sleeper, a phrase that, in my childhood, I initially believed

It’s easy to find flaws in “Backrooms,” the directorial debut of YouTube-trained Kane Parsons. It’s better to imagine what this

The most consequential battle of World War II almost got rained out. That stunning truth powers “Pressure,” a D-Day film

Disney’s “The Fox and the Hound” (1981) arrived with an infamous production history, as well as muted enthusiasm from longtime

Writer/director Lucca Vieira’s “The Midway Point” begins with a title card announcing “Around 75 million people have Autism Spectrum Disorder

Natalie Erika James’ “Saccharine” stars Midori Francis as Hana, a medical student who signs up for a fitness class. At

Boots Riley’s “I Love Boosters” is a work of pure creative freedom, mainstream cinema at its most unhinged. This is

If you can’t say something nice, say nothing at all. In that spirit, the puppet dubbed “Baby Yoda” is still

Olivier Assayas’ “The Wizard of the Kremlin” is a disappointment on its own but even more so when you compare