Author: Mk

Steven Spielberg. Aliens. Summertime. ’nuff said, right? Wrong. Oh, so wrong. “Disclosure Day” boasts a trippy cast, a timely premise

Robert Altman’s “Quintet” (1979) is an eerie, vivid nightmare that begins with the camera panning over a vast, white snowscape,

Travis Knight’s “Masters of the Universe” is a mighty mixed bag, full of rousing action and choice moments. It’s also

The Wayans vowed to push back against the woke scolds with a sixth “Scary Movie” feature. That they do. The

Bonnie and Clyde robbed banks. So do the antiheroes in “Carolina Caroline,” except the filmmakers are too enamored of the

Bonnie and Clyde robbed banks. So do the antiheroes in “Carolina Caroline,” except the filmmakers are too enamored of the

Director John Carney may have peaked with “Sing Street,” but we still need his brand of music-driven cinema. The director

Wrier/director James Lucas’ “Moss & Freud” is a portrait of the professional collaboration and friendship between supermodel Kate Moss (Ellie

Writer/director David Roher’s “Tuner” is the very definition of a sleeper, a phrase that, in my childhood, I initially believed

It’s easy to find flaws in “Backrooms,” the directorial debut of YouTube-trained Kane Parsons. It’s better to imagine what this