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Modern movies rarely cause a stir like “Silent Night, Deadly Night” did in 1984. The low-budget shocker showed a serial

Edward Burns never stopped making films, even after his “next Woody Allen” branding fell flat. Burns’ 1995 drama “The Brothers

M. Night Shyamalan’s “Unbreakable” is now 25 years old. In the opening title credits, Shyamalan finally unveiled what the movie

“The Empire Strikes Back.” “Terminator 2: Judgment Day.” “The Godfather Part II.” “Aliens.” Suffice it to say that “Five Nights

You knew it couldn’t last. For 20 solid minutes, “Fackham Hall” parodies stuffy British dramas with a glee that would

I’ve never encountered a film flopping with a louder, more surprising thud than Brian De Palma’s “The Bonfire of the

Osgood Perkins’ “Keeper” begins with a great, bone-chilling sequence: a montage of women, all existing at different moments in time,

David Freyne’s “Eternity” is a schmaltzy fantasy/love story, in a year that already subjected filmgoers to “A Big Bold Beautiful

Jack Lopate is about to get married, and all he can think about his cheating on his fiancée. His buddy Miles

Peter Bogdanovich’s “The Last Picture Show” is a film I feel deeply. Every time I return to it, there’s always